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Created by Chef Lupita
Sinaloa's ataulfo mango blended with lime and a pinch of salt, frozen on a stick, and finished with chile piquin. The paleta that defines a Mexican summer afternoon.
This paleta is from Sinaloa by way of every paleteria in Mexico. The mango that makes it work, the ataulfo, small, yellow, stringless, perfumed at the stem, is grown along Sinaloa's coastal valleys and shipped north every summer when the harvest comes in. Use that mango or wait until you can. The big red Tommy Atkins from the supermarket is a different fruit and it will make a different paleta, a worse one.
The technique is nothing. Blend, freeze, dust. The cuisine is in the sourcing and in the proportions. Lime cuts the sweetness. Salt sharpens the fruit. Chile piquin, the small dried red chile that vendors sell by the bag at every mercado, hits at the end and reminds you that mango and chile have been eaten together in Mexico since long before the paleta existed. La cocina no es decoracion, es trabajo, but sometimes the work is choosing the right mango at the right week of the year and trusting it to do the rest.
My mother kept a small bag of chile piquin and one of sal de grano in a tin on top of the refrigerator. In summer she would slice ataulfo mangoes into clay bowls and dust them at the table. The paleta is the same idea on a stick. Cada estado, su propia cocina, and Sinaloa gave the rest of Mexico the mango that made this possible.
Quantity
6 (about 3 pounds whole)
yielding roughly 4 cups flesh
Quantity
1/3 cup (about 4 to 5 limes), plus 1 lime for finishing
Quantity
1/3 cup
adjusted to the sweetness of the fruit
| Ingredient | Quantity |
|---|---|
| ripe ataulfo mangoesyielding roughly 4 cups flesh | 6 (about 3 pounds whole) |
| fresh lime juice | 1/3 cup (about 4 to 5 limes), plus 1 lime for finishing |
| granulated sugaradjusted to the sweetness of the fruit | 1/3 cup |
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