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Created by Chef Juliette
Chapelure blonde et blanche turns stale bread into two precise pantry tools: golden crust crumbs for robust coatings and gratins, white crumb for delicate finishes, both dried fully and sieved fine.
Chapelure blonde et blanche (golden and white raspings) teaches a small principle with enormous reach: bread must be completely dry before it is ground. A piece that bends instead of snapping will make coarse, clumped raspings that spoil a coating; dry it until brittle, and the crumbs fall through the fingers like fine sand.
The original preparation assumed baskets of bread left from service, a gently warm oven, a mortar for pounding, and a tamis always within reach. For one cook, one stove, one evening, two sheet pans replace the bakery baskets and short pulses in a food processor replace the mortar. The quantity becomes two useful jars rather than a brigade store. Repeated hand-pounding was scaffolding for a staffed kitchen and can go; complete drying and passage through the tamis are the dish itself, so both stay.
Nothing is added because nothing is missing. The crust supplies the deeper gold of chapelure blonde, while the bare white crumb keeps chapelure blanche pale and delicate. Test the thickest piece before grinding. It must snap cleanly through its centre, and that one test decides the whole preparation.
Quantity
4 loosely packed cups (950 ml / 200 g)
cut or torn into 1-inch (2.5 cm) pieces
Quantity
4 loosely packed cups (950 ml / 160 g)
all crust removed and torn into 1-inch (2.5 cm) pieces
| Ingredient | Quantity |
|---|---|
| plain white bread crustscut or torn into 1-inch (2.5 cm) pieces | 4 loosely packed cups (950 ml / 200 g) |
| plain white bread crumball crust removed and torn into 1-inch (2.5 cm) pieces | 4 loosely packed cups (950 ml / 160 g) |
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